Here's the part you've all been waiting for. I've zoomed
in to 200% on a 2560x1600 resolution 30 inch monitor, exhaled,
pressed my nose against the screen and sniffed in a good
lungfull of Canon's ripest pixel goodness. I'd say there
is a hint of Malbec to the Mark II, perhaps just a touch of
gooseberry which is lacking from the 5D...
Resolution
This is a nice easy one, as the 5D II does what it says on
the tin. Having 1.6 times as many pixels gives you a
corresponding amount of extra detail (with good lenses, at
least).
Above is the skyline at Canary Wharf, and below
are 100% crops from the 5D and the 5D Mark II of the same area.
This illustrates how much bigger the 5D files are and how much
more detail they capture. "Per pixel" sharpness looks
about the same to me, and I think there is plenty more detail to
be extracted from this lens (Canon 200mm f2.8L at f8 on a big
Manfrotto tripod) by even higher resolution sensors. In
both cases I used RAW files, processed with the version of DPP
which came with the Mark II, with both types of noise reduction
turned down to zero and sharpening turned up to 50.
Below are another two crops from the same image
which illustrate the same thing. Note the colour moiré in
the 5D shot (top) in the brick pattern which is absent in the
Mark II because the pattern is better resolved.
This result is not surprising and reminds me of
testing the
20D against the 5D. The
20D, with its higher pixel density, squeezed a lot more detail
out of a given crop from the 200L. The Mark II has pretty
much the same pixel density as the 20D, so any lens which was
good enough to resolve more detail with the 20D than the 5D will
do the same on the Mark II.
You don't need low ISO, tripods, ideal
conditions and an "L" prime lens to get an advantage from the
extra resolution, either. I won't post noisy pictures of
the inside of my living room but messing around with
the old consumer grade 28-105 f3.5-4.5 wide open, both
cameras at 1600ASA, shooting JPEG rather than RAW and hand-held,
I was able to see significantly more detail in the Mark II
results.
The answer to the question "which lenses are
sharp enough to render more detail with the 5D II than they did
on the 5D" is "all of them (unless they are broken or
Tamrons
which look broken but are proven to be "within spec")."
The answer to the question "which lenses are
good enough that even the 5D II will never show up any optical
imperfections" is "none of them." The 200L is my best lens
but even that sometimes showed significant chromatic aberration
on the 5D, never mind the Mark II.
I have also done some tests, which I think are
too boring to post here, to see whether SRAW1 (9.9 megapixels)
on the Mark II is as good as full resolution 12.8 megapixel RAWs
from the 5D. One theory is that because 1/3 of the
information in a 5D 12.8 megapixel image is made up
(interpolated), a 9.9 megapixel image which has been downsampled
from 21 megapixels may actually contain more detail than a
native 12.8 megapixel image. It doesn't. If you are
planning on buying a 5D II and shooting SRAW all the time, don't
bother - get a 5D instead and shoot RAW and you'll get better
resolution.
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